Tunefish Modular Cooking with Teensy 4.0 Phazerville ~ Strymon Cloudburst

video upload by Ebotronix

"Tunefish Modular Ornament and Crime with Teensy 4.0 Phazerville
Quantermain App with Aeolian Scale
Temps Utile, µYarns,µ Braids,Veils ( V1&V2), µVeils, Kings, Minx,
Peaks, (2x)µPeaks,(4x) Shades.
Mutable Instruments, Ripples (6x), Beads (2x),
Make Noise STO (4x)
Doepfer R2m , A 156, A 174-2, A 143.9
Verbos Scan and Pan
4ms Peg
Flame Q Slider
Malekko IMX (2x)
Strymon Cloudburst (2x) Midi CC controlled by 16n Faderbank
20.04.2024
video # 2365"

Frequency Shifter ~ Doepfer A 126 - 2 ~ Verbos HO

video upload by Ebotronix

Doepfer A 126-2 Frequency Shifter with A 110-4,
A 156 , R2m Ribbon Controller.
4ms Peg.
Flame Q Slider.
Danny Sound Timbre, MM VCA
Make Noise Optomix.
Jouranalogue Filter 8
Tunefish Modular µ Braids with Renaissance alternate firmware,
2x µ Peaks, Sheep (Tides V1)
2x Ornament and Crime , Mixolydian Scale.
Temps Utile, µYarns
Mutable Instruments Shades, Ripples.
Verbos Harmonic Oscillator,Scan and Pan.
Grendel Formant Filter.
Shakmat Aeolus Seeds.
16n AtoVproject Faderbank
2x Strymon Cloudburst ~ Midi CC by 16n Faderbank!
13.04.2024
video # 2362

Vinyl chops on the EP-133 KO ll

video upload by Q Noise

"Sampled a Jazz record that I picked up recently and made a beat with the EP-133 KO ll."

First melody on the Liven Mega Synthesis

video upload by Q Noise

"Just got my Sonicware Liven Mega Synthesis and I'm having a lot of fun with it."

https://sonicware.jp/pages/liven-mega...

New Synton Fenix 2 PP Modular Synth First Patch

video upload by HAINBACH

Priced at 4999€ via Patch Point

"Patch Point is producing 100 Fénix II PP analog modular synthesizers in small batches.

The first batch is 30, and there are 14 left available.

The Fénix II PP is a direct descendant of the Fénix II in collaboration with the designer, Mr. Bert Vermuelen of the original Synton design team.

It is a fully analog synthesizer, with the same components as the original Fénix II, with some upgrades.

VCF3 - Formant Filter - a new modern design using chips instead of vactrols which allows for voltage controlled resonance and an expanded frequency range.

VCF4 - LPG - a new modern design using chips instead of vactrols which allows for an expanded frequency range, and quicker response, and more accurate control of the length parameter.

Delay - The Delay is now a dual delay with a 3rd switch position. delay 1, delay 2, or in the middle both delays mixed! with the additional jack of a second frequency parameter for the 2nd delay. You can now CV control both delays pitches with a separate jack.

3 VCO’s, 3 different VCO's ( Inputs CV, FM, PWM, Sync e.o, Output square, triagle, sawtooth and some has puls, sub, sine e.o) )

4 different VCF´s ( SVF, 24dB Lp, BPF, 12dB Lp). ( Input CV modulation, SVF has Q-CV control

3 EGR and 4 VCA’s and 5 LFO’s. (Many modules are voltage controlled)

7 Mixers ( 3 audio mixers and 4 DC-Audio mixers).

1 Phaser and 1 Delay (BDD). ( off course voltage controlled)

1 8 step analog sequencer with own clock.

1 Waveshapers, 1 wavemultiplier and 1 full wave rectifier. ( voltage controlled, except for the rectifier )

1 CPR, 1 S&H, 1 Gate delay, 1 Ringmodulator, 1 Slew limiter, 1 fixed +/- 5volt output.

1 Analog noise and 1 Digital noise. ( Digital noise voltage controlled

1 6 Banana to 3,5 mm minijack connectors.

1 Input module with trigger, gate and envelop out.

1 Stereo output module with dual panning and dual VCA. ( off course voltage controlled)"

Eurorack Modular Synthesizer / Harmonic Minor Tune ' ~ Strymon Cloudburst

video upload by Ebotronix

Eurorack Modular Synthesizer / Harmonic Minor Tune ² ~ Strymon Cloudburst

video upload by Ebotronix

XAOC Odessa,Praga,Batumi
Shakmat Dual Dagger,Aeolus Seeds
Mutable Instruments / Tunefish Modular: Shades (2x), Veils (2x), µVeils (2x),Ripples, µBraids (4x),Peaks (4x), Monsoon (4x)µ Rings (2x),µ Elements, Twiiggs,Minx,µYarns,
Westlicht Performer
TipTop Audio,Z 3000 V2,Forbidden Planet, RS 808
Ornament and Crime (5x) Temps utile
Deopfer A 198 Ribbon Controller (4x),A 177, A177-2 (2x),A 185-2 (6x),A 171-4, A 111-4, A 105-4,A 121-3 (2x),A 174 Joystick,
A 174-2 Wheel ,A 138 (2x), A 138s,A 134-1 (2x)
WMD Crater ,Crucible
Ryo Optpdist
Feedback Modular Two 59
Flame + Mirror, Q Slider (2x), FX 16, 4Vox, Curves
Erica Synths, Drum, Drum2,Sequential Switch V 2
MFB OH,HH,CY 522
Synthesis Technology E 440
Make Noise LXD, X Pan
Danny Sound MM VCA
Synthrotek LPG, MST
4ms Peg (2x)
Waldorf NW 1
Strymon Cloudburst
Boss RV 5 (2x), VF 1(2x)
Electro Harmonix B9
Line6 Roto Machine

Serge Eurorack ~ Strymon Cloudburst² ~ Krell ~ Another Planet

video upload by Ebotronix

Zufall by Serge SSG
Strymon Cloudburst (2x)
Serge Modular Synthesizer Eurorack by Random Source
GTO, 2x NTO, +N Com,Variable Slope VCF, VCFQ, DUSG, SSG,
Stereo Mixer, Wave Multipliers, Resonance Equalizer, TWS+!
Tunefish Modular µ Veils, µPeaks,
Ornament and Crime : Harmonic Minor Scale
ARC Serge TKB
Flame 2x Q Slider
Make Noise Mimeophone
XAOC Batumi (2x)
23.08.2023
vid # 2260

flightofharmony Facehugger preorders and the last of the Blood Boxes

Facehugger ► Parasite video upload by flightofharmony

First a new video for Facehugger. Blood Box details further below.

"Using the Facehugger function generator to control Parasite Antifilter (compilation video).

Starting with a tone from Parasite, then adding a drone from the Infernal Noise Machine, and then using the Facehugger output to control the Mid Q CV input, with random noodlings from thereon.

Facehugger preorders are open now, details at https://flightofharmony.com/facehugge..."

via flightofharmony

"Facehugger: Pre-orders for the new Facehugger all-analog, vector-addressable, chainable, function generator are now open!

The alpha prototype has been built, corrected, and is fully working. The design has been updated and the next circuit board designs are almost complete. The beta and (hopefully) final PCBs will be ordered this week, and test units should be sent out to testers next week, and the production units are expected to ship mid-September."

And:

"Infernal Noise Machine Blood Box: It’s Summer, so it’s time to build the last of the desktop INM Blood Boxes. The first run sold out and now even the eurorack versions are gone, so this run is the very last of the V2 Infernal Noise Machines that will be built."

Playing the Waldorf Q - Carlo Mezzanotte

video upload by carlomezz

"I have owned the Waldorf Q for a while, but only in recent times I have had the opportunity to really sink my teeth into its very powerful synthesis architecture.

The first batch of patches that I have programmed includes several well-known synth timbres, plus a few more adventurous sounds. I find this an excellent approach to familiarize with an instrument. I didn't try to directly imitate the warmth of analog vintage synths; the Q has a strong personality in itself, and a big, aggressive basic sound. All the mod routings allow for very complex timbres of a special kind, cold and precise, but also full and satisfying.

What you hear in this video is all single patches, no multis. Only the internal effects were used, with no external processing except a little bit of eq."

Playing the Waldorf Q - Carlo Mezzanotte (Part 2)


"Here's the second part of my Waldorf Q programming adventures, where I try my hands at more complex sounds, plus a short multitracked improvisation at the end. With FM, ring mod, wavetables, oscillator sync, four multi-stage envelopes, comb filters, and plenty of modulation options - there's a lot of ground to explore. In particular, I like to ride the fine line between tonal and non-tonal timbres, where the sidebands build up in a dynamic way, creating groups of partials which can grow until they 'almost' become noise, but always keeping the original root clear. (well - almost always. : - ) ) Very often, I have programmed aftertouch and the mod wheel to change important details of the harmonic spectrum.

For some reason, several of these sounds ended up with a strong ambient/hypnotic connotation... I guess it's just an inclination that I have. : - )

Again, what you hear in this video is all single patches, no multis. And again, only the internal effects were used, with no external processing except a little bit of eq.

At 15:52, I did a brief improvisation using some of these sounds, plus a couple from Part 1. I used 4 stereo tracks, without adding any external effects.
I had some fun with video editing, but I'm a total amateur at that.... the moral: better to focus on the sounds! : - )"

Facehugger - The Muffin Man

video upload by flightofharmony

"Using the Facehugger function generator to control multiple instruments simultaneously.

• Facehugger Out is sent through a buffered multiple to the desktop Infernal Noise Machine VCO Tune CV input for the lead, and to the Choices joystick Y-axis In,
• Choices Y Out to Parasite Antifilter Low Q CV input for the bassline and squealing.
• Choices X Out to Facehugger Root CV input, shifting the patterns up or down.
• Finally, INM Out through Sound of Shadows PT2399 delay.

The Facehugger Kickstarter is in the final stretch - Early Bird deep discounts have been extended until April 21st, grab yours while you can! https://www.kickstarter.com/projects/..."

Stoicism //SIG+/XPO/QPAS/Mimeophon//

video upload by Aleatoric Machine

"A self-playing Eurorack modular synthesizer patch featuring Make Noise’s XPO, QPAS & Mimeophon, and Stochastic Instruments’ Stochastic Inspiration Generator (SIG+). Plus many more modules described below.

Everything you hear in this is coming from a single monophonic sequence from the SIG+ and a single Make Noise XPO. I’m pretty amazed by how much variety of tone and texture can come from this single oscillator, all at the same time. The different waveform outputs are each running through their own VCAs, filters, triggers, and effects, but the melodic content is all the same. I’ll go through the sequencing in a minute, but first I’m going to focus on the audio signal paths.

Overall, the XPO’s L & R modulation are controlled by a triangle LFO coming from Acid Rain’s Maestro.

The first output is the stereo square wave, which goes through QPAS and Mimeophon, then into the mixer. QPAS’s L & R rotation and Q are modulated by two different smooth random waves from ALM’s Pamela’s Pro Workout. Mimeophon’s repeats are modulated by a smooth random wave coming from Maestro. This voice is triggered by a bouncing ball coming from Make Noise’s Maths.

The second output is the mono triangle wave, which first goes through an Intellijel 1U VCA, then uses Intellijel’s 1U pedal I/O to go through a Chase Bliss Mood (repeats tuned up a 5th) and Chase Bliss Dark World, then into the mixer. This voice is triggered by another bouncing ball from another Maths.

The third output is the mono sawtooth wave, which goes through channel one of a Make Noise ModDemix, an Intellijel Morgasmatron (with panning controlled by separate LFOs going to the L & R FM1 inputs - LFO 1 coming from Mutable Instruments’ Tides and LFO 2 coming from Intellijel’s Rubicon 2), then a Happy Nerding FX Aid XL running a flanger algorithm, then into the mixer. This voice is triggered by a repetitive Euclidian rhythm coming from Acid Rain Constellation and Doepfer Dual ADSR.

The last output is the spike wave going through channel two of the ModDemix, a Doepfer Multimode VCF, and Strymon’s Magneto in shift mode, then into the mixer. Magneto’s repeats are modulated by another smooth random wave coming from Maestro. This voice is triggered by a slower Euclidean rhythm coming from Constellation and Make Noise’s Contour.

Each voice goes into Doepfer’s VC Stereo Mixer, which has a built in VCA on each channel. The level of each voice is independently controlled by a separate smooth random wave from Pam, so the mix is constantly evolving. The voltages coming from Pam are further slewed by Mutable Instruments’ Stages, since the smooth random wave from Pam can still have some sharp edges. Then the whole mix goes through a 2HP Verb, with the reverb mix modulated by another smooth random wave from Pam, and finally through Endorphines’ Golden Master, which connects directly to the Intellijel 7U Performance Case’s built in audio outputs.

Now for the melodic content and harmonic structure. This is all driven by Stochastic Instruments’ Stochastic Inspiration Generator (my first patch with it!). This is an incredible module. I won’t go into everything it does, as there are already a couple very helpful videos out there on that, but suffice it to say that it lives up to its name! I’m using multiple channels, each with its own tonality, then cycling through those via an ALM Boss Bow Two switch to determine which channel will control the v/oct pitch of the XPO. The Boss Bow’s channel is control by a sequence coming from another Stages. Channel one is just a low C, to establish the primary key. Channel two randomly selects pitches from a C major chord, with low C in the bass. Channel three selects pitches from an F minor chord, with an occasional 2nd and 4th and a low F in the bass. Channel 4 selects pitches from a D flat major chord, with an occasional 6th and a low D flat in the bass.

I’m not sure if this is indeterminate enough to be considered generative, since the harmonic content is fairly structured, even if the melody, rhythm, and balance of the parts are all random. It’s more, well, aleatoric. I hope you enjoy it (although I realize than if you are into this sort of thing, you are born of a special breed!)."

NoisyFruitsLab Eurorack Modules & DIY

video upload by NoisyFruitsLab

"Take a look inside noisyfruitslab.com"

Products: (use the player controls to skip around)


video uploads by NoisyFruitsLab

Playlist:

CLICK FOR MORE »

Macbeth Micromac D

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This Macbeth X-Series Micromac D fully analog synth is in excellent cosmetic condition, it works as it should, no functionality issues. It has seen very light use.

This is a rare synth, was made in the UK out of production, and hard to come by. Built like a tank. Solid enclosure and solid controls. No cheap Chinese plastic components here.

“The fattest vintage sounding desktop analogue synthesizer available.”

Sold with its power adapter for 220v.

A masterpiece by Scottish synth designer genius Ken Macbeth, this is Ken’s take on the classic Minimoog Model D concept of a 3-VCO synth with a 24db ladder filter.

Ken Macbeth is - besides Wowa Cwejman - the best boutique analog synth builder of our time, doing everything the old-school way of through-hole solering. This is true analog!
The sound that his synths deliver is simply out of this world and the Micromac D is no exception. Despite its desktop size it packs a heavy punch. Seriously - in terms of sound this is as good as it gets.



Here are the specs:

3 x 1v/octave tracking voltage controlled oscillators.
Oscillators 1 and 2 featuring 4 waveforms: sawtooth, square, triangle and sine. oscillators 1 and 2 feature pwm control inputs.
Oscillator 3 featuring 6 waveforms: sawtooth, square, triangle, sine, ramp and lower frequency noise.
Oscillator 2 can be hard synchronized to oscillator 1.
Oscillator 3 can be used as a modulation source, both in the audio range and the low frequency range. oscillator 3 can be used to modulate oscillators 1 and 2 as well as the voltage controlled filter. oscillator 3 can be disconnected from the main controlling cv.
Oscillators 1,2 and 3 feature separate control voltage inputs for external control sources.
Oscillators 1,2 and 3 have separate audio outputs (pre-mixer) for external proccessing in other systems.
Oscillators feature separate attenuated volume controls into the filter.
Oscillators 1,2 and 3 feature both course and fine tune frequency controls that have a range above and below the audio spectra.
Noise generator features white noise with its own attenuated volume control into the filter. setting 6 on the oscillator 3 waveform control allows a lower frequency noise to be used for modulation effects and can also be used as audio source.
1v/octave voltage controlled filter:
24db/octave transistor ladder low pass filter. oscillates at high 'q'/resonance.
Tracking of the filter from the main cv input can be 0%/half/full (0v/octave, 1v octave and 1.5v/octave)
The filter also features a separate 1v/octave external cv input for other control sources.
The vcf is swept directly by its own envelope generator.
2 x envelope generators. ads/switchable release type. filter eg can be switch between a positive going envelope or an inverted envelope. filter eg can be switched to sweep oscillator 2 for hard synchronization sweeps. vca eg can be diconnected via an external vca cv input socket.

All analogue circuitry used in the design is the 'old school' through hole parts."

Alesis Andromeda Sounds - Part 3 - Best Pad Machine?

video upload by Friendly Noise

Friendly Noise Alesis Andromeda posts

"Introduced in 2000, the Alesis A6 Andromeda was a real miracle in a music world without modern analog polysynths. All big polyphonic names were no longer in production and only available in the used or vintage market. Some loved the Andromeda, some hated it, most simply didn’t come to know it because of the Alesis name and the lack of music hits featuring this powerful polysynth. The Andromeda can be described equally as a polyphonic instrument and as a polyphonic modular synthesizer. That´s how complex or deep it can be.

The sounds are illustrated with pictures of my own Andromeda. There is no video, because those are old recordings, made long time ago before I started recording videos. The purpose of the recordings was exclusively for personal use, a way to remember sounds I liked. Some recordings may still be useful today in order to get familiar with the sound of the instruments. Some sounds use the internal effects, some use external processing.


Video sections:

00:17 Andromeda pad, Virus TI lead
01:53 Andromeda pad with Small Stone phaser, then with Virus TI phaser
02:46 Andromeda pad
03:14 Onboard analog distortion
03:34 Big PWM lad, without PWM at the beginning of the clip
07:01 Andromeda pad, Waldorf Q melody
08:15 Andromeda pad
09:07 Andromeda pad, Waldorf Q melody
10:32 Andromeda pad with external flanger
11:32 Andromeda pad with external flanger
12:25 Andromeda pad with 2 external phasers
13:12 Andromeda pad with external flanger
13:54 Andromeda pad
14:57 Andromeda pad with external FX
15:56 Andromeda pad with external FX
16:28 Final sequence"

Alesis Andromeda Sounds - Part 1 - Most powerful polysynth ever?

video upload by Friendly Noise

"Introduced in 2000, the Alesis A6 Andromeda was a real miracle in a music world without modern analog polysynths. All big polyphonic names were no longer in production and only available in the used or vintage market. Some loved the Andromeda, some hated it, most simply didn’t come to know it because of the Alesis name and the lack of music hits featuring this powerful polysynth. The Andromeda can be described equally as a polyphonic instrument and as a polyphonic modular synthesizer. That´s how complex or deep it can be.

The sounds are illustrated with pictures of my own Andromeda. There is no video, because those are old recordings, made long time ago before I started recording videos. The purpose of the recordings was exclusively for personal use, a way to remember sounds I liked. Some recordings may still be useful today in order to get familiar with the sound of the instruments. Some sounds use the internal effects, some use external processing.


Video sections:

00:32 Andromeda pad, Dot.com modular sequence.
01:14 Andromeda pad, Dot.com modular sequence.
02:26 Waldorf Q pad, Andromeda lead.
03:52 Waldorf Q pad, 3 different Andromeda sounds.
05:12 Andromeda pad and bell.
06:12 Sounds with self oscillation.
08:43 Cinematic pads.
11:40 Crossmodulation.
12:49 Pad with external flanger.
13:49 Effects and drums.
17:56 Pad and lead."

MacBeth Studio Systems Elements

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

MacBeth Elements Synthesizer Specifications:

CLICK FOR MORE »

New Module From Make Noise Event at Perfect Circuit Tonight at 7 PM

video upload by Perfect Circuit

Update: module details and pic added further below.

"On Friday July 15th at 7pm PST, Make Noise founder Tony Rolando will show off his newest Eurorack module design, alongside long-time modular artist Rodent.

Make Noise has a long history of shaking up the modular synth world with fresh, forward-thinking, and downright fun new modules and standalone instruments.

This marks Make Noise's first new release since 2021's Strega, and their first new Eurorack module since 2019's Mimeophon.

The stream will feature a module overview, Q+A, and live examples of the new design."

Initial post/details:

Make Noise will be presenting a new module at Perfect Circuit tonight at 7 PM. It's my understanding tickets for the event are full, however Perfect Circuit will be live streaming the event. I will be sharing the stream on top of the site at 7PM sharp so tune back in for the event.

Details follow:

Live Event: Make Noise First Look to New Eurorack Module
Where: Perfect Circuit Showroom 2405 Empire Ave Burbank, CA 91504
Event date: July 15th, 2022, 7 PM

About the Friday Make Noise Event
Make Noise is heading to Perfect Circuit for an exclusive first look at their latest creation. On Perfect Circuit's YouTube channel at 7 PM PST this Friday, July 15th, Make Noise founder Tony Rolando is showing off their newest Eurorack module design. Long-time modular artist Rodent will join Tony in the announcement. Tune in live for the first look at what Make Noise has cookin'. The stream will feature a module overview, Q+A, and live examples of the new design.

What Will They Reveal?
Make Noise has a long history of shaking up the modular synth world with fresh, forward-thinking, and downright fun new modules and standalone instruments. Be sure to tune in for Make Noise's first release since 2021's Strega and their first new Eurorack module since 2019's Mimeophon. This new module is top secret, so we can't share any details except we know you will love it.

Module details added further below.

Additional details via Make Noise:

"Make Noise is proud to announce our newest module, the XPO!

The XPO, or Stereo Prismatic Oscillator, is a Voltage Controlled Analog Oscillator designed for generating Sine waves, Triangle waves, Sawtooth and Spike waves, Sub-Octaves, Stereo Timbre Modulations (including Pulse Width Modulation and Wavefolding), Oscillator SYNC, Linear FM and more in the analog domain.

The XPO is designed to be the Stereo VCO complement to our Stereo Filter, the QPAS. The two modules share the core idea of complex circuits being controlled in multiple dimensions in the stereo field by a few powerful parameters. The Stereo Prismatic Oscillator also makes a particularly useful patch buddy for the STO, Mimeophon, and X-PAN.

The XPO was announced on Friday, July 15th by Make Noise founder Tony Rolando and our Sales Specialist Eric "Rodent" Cheslak at an event at Perfect Circuit." The XPO or Stereo Prismatic Oscillator is a Voltage Controlled Analog Oscillator designed for generating Sine waves, Triangle waves, Sawtooth and Spike waves, Sub- Octaves, Stereo Timbre Modulations (including Pulse Width Modulation and Wavefolding), Oscillator SYNC, Linear FM and more in the analog domain.

The XPO is designed to be the Stereo VCO complement to our Stereo Filter, the QPAS. The two modules share the core idea of complex circuits being controlled in multiple dimensions in the stereo field by a few powerful parameters. The Stereo Prismatic Oscillator also makes a particularly useful patch buddy for the STO, Mimeophon, and X- PAN.

The Story of the XPO by Tony Rolando

I was lying awake in bed at 3 am thinking about music and synthesizers, on this early morning specifically, the voice panning of the OB8. So simple, so effective. A bank of 8 analog pan-pots is tucked into the side of the instrument to let the musician choose the exact placement of each voice in the stereo field. As you play the instrument, notes may dance around your head. This led me to think about how Oberheim and most other synthesizer designers through the 70s and early 80s primarily used Pulse Width Modulation for waveform animation. Don Buchla's wavefolding techniques had not caught on. PWM has been more or less the same for decades and there is not a whole lot of difference between PWM in one instrument to another. Some allow you to modulate further than others. A few even allow you to go all the way to 0% or 100% Width. PWM was usually generated from a Saw or Triangle core, and while I tend to prefer PWM generated from a Tri-Core, the difference is subtle. The bigger difference is the filter that follows. PWM has a way of tickling the resonance of a filter that can really make the sound come alive.

This led me to think about Stereo filtering. How could a synth sound more stereo? At Make Noise we have voice panning with the XPAN, stereo filtering with the QPAS, and stereo echo verb with the Mimeophon. Surely, this was enough stereo modulation.

Then it occurred to me, why couldn't PWM be stereo? It would be very effective at creating a stereo image since the amplitude of both Left and Right would be almost identical, while still offering dramatic stereo timbral shifts. I thought to myself, surely somebody has done Stereo PWM already. I needed to research this idea. So I wrote about it in the notepad I keep on the nightstand and I eventually fell back asleep.

I woke up the next day and I immediately saw the note, I tried to read it...

CLICK FOR MORE »

2005 White/Cream Model Jomox XBASE 999

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Mint JOMOX XBASE 999.

This is the ultra rare white one, looks like a 909 from you know who.
Has the producer edition pots (same as ALPHABASS). Recapped a while back from the Manufacture in Germany and has a new battery.

Kickdrum, Snaredrum, Low Tom, and High Tom are true analog. Hi Hats, Clap, Rim Shot, Crash, and Ride are digital and can have different 8 bit samples assigned to them.

Specifications:

9 instruments: Bass Drum, Snare Drum, Hi Tom, Low Tom, Hi Hat, Clap, Rim Shot, Crash, Ride
Analog kick, toms, snare
Analog multimode stereo filter with Cutoff, Q, Res and Gain per channel
LP/HP/BP/Not Mode per channel, 5 routings, VCA Out in mix out
5 sample based instruments with analog VCA envelope
31 samples per instrument (HH has 2 Samples) per instrument – 186 total
HH Filter: In the hihat section an extra analog filter may be inserted. Signal source can be wether sample or noise. HP/LP cutoff are adjustable, resonant capable
LFOs: 2 of which are assignable to different parameters
Own samples can be uploaded by the Jomox Editor
Midi: Midi In, Midi Out, Midi Thru
Inputs: Filter Stereo In
Outputs: 10 individual outs, stereo mix, headphone
Output Level: about +4dBu at max. volume on all outputs
19 encoders
Phones Volume
LCD Display 2x 24 Characters
10.5V 2A ~AC external power supply
Metal steel enclosure
Wooden end cheeks
Weight 5kg"

CLICK FOR MORE »

New Destiny + Buchla Easel Cards

This one is in via Meska.

Details via Destiny+

Dual function source & utilities.
Function frequency A, Function frequency B, Fm in A, Fm in B, Fm cv A, Fm cv B, Sine out A, Sine out B, S&H out A, S&H out B, S&H in A, S&H in B, S&H clock in A, S&H clock in B, S&H output lag A., S&H output lag B, White noise, Pink noise, Square out A, Square out B.

CLICK FOR MORE »

Original Waldorf Q Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Every knob is original and works perfectly. No skipping or ghosting. The display is bright and clear, the output is clean and without static, and everything works as it should. I have owned every analog modeling synth, and the Q is by far my favorite. 3 OSCs, Noise, FM, complex matrix modulation, advanced arpeggiator and sequencer to drive the multitimbral voices. It is a programmers dream. And it makes for a very nice controller with great synth action and aftertouch."